Wednesday, October 30, 2013
Leaving Las Vegas Blog Tour Stop Two: Las Vegas Motels and Plotting Techniques
Or head straight to the action by buying Leaving Las Vegas today!
At Amazon or Barnes & Noble!
Tuesday, October 29, 2013
Leaving Las Vegas Stop One: Straight Up Las Vegas
Monday, October 28, 2013
Leaving Las Vegas Excerpt
Monday, October 14, 2013
Shivers, Chills, and Goosebumps: How to Write Scary. Entangled Publishing's Halloween Hop
I write funny (I hope) contemporary romances. My first book Too Hot to Handle came out last year, and my next book Leaving Las Vegas is available for presale now.
I don't write horror, but both of my books are quick paced and suspenseful with car chases, standoffs, and explosions. So, how do I write scary?
Scary is visceral.
Scary isn't about saying that June is scared.
Scary is saying:
June quivered nervously.
Scary incorporates the senses:
The taste of bile rose in her throat. The smell of gasoline from was heavy in the air. She couldn't see much, but she could hear the killer's footsteps as he crossed the cramped garage, disturbing centuries old dust.
Scary is about what happens next. What might happen next.
Thursday, October 10, 2013
Leaving Las Vegas Blurb and Buy Links!
"I'm so glad what happened in Vegas didn't stay there. A sexy, fun, thrilling romp of a romance that had me alternating between a swoon and laughing out loud."
~Robin Covington, bestselling author of the Boys are Back in Town series.
Find it now at Amazon or at Barnes and Noble!
When West Virginia wild child, Glory Allen enters a private poker game with her town’s dreams at stake she loses it all. To make matters worse, she’s trapped in a car with the sexy but infuriating man who won—and accused her of cheating. Now because of him, she’s on the run from the mafia who put out a hit on the stuck-up casino magnate with the toe-curling good looks—and he isn’t even her type. So why can’t she cool the explosive chemistry between them?
She’s out of control…and she’s enough to drive Luke Tanner crazy. Yet she’s the only one willing to put her neck on the line…for him—a complete stranger she professes to hate. Now he’s in debt…to her. And it’s a debt he’s willing to work off any way she wants…on the hood of his sports car, in a waterfall—wherever she’ll have him, he’s willing to pay the price.But the stakes are raised when they return to West Virginia—helping Luke escape has put Glory and her hometown in the sites of someone who wants him dead. This time Glory decides she’s not going to end up empty-handed—it’s time for the winner to take all and she won’t stop ’til she wins his heart.
Tuesday, October 8, 2013
Intro to Writing
I haven’t taken a writing class since… ever. The closest I’ve come in the last few years is Candace Haven’s awesome Quick Draft workshop, which is more like the Spanish Inquisition then a learning experience (not in a bad way, swearsies). When I tell people I’m a published author (with Entangled Publishing, go team!) they almost always ask where I learned to write, I fall back on simple truths “I read a lot as a kid” and “I’ve always been a writer.”
However, I did do one of my favorite writing exercises ever in a classroom. Sixth grade. The Arts Impact Middle School in Columbus, Ohio (don’t hate me Michigan, I was only there for a few years!). My English teacher had everyone in class write down how to make a peanut butter and jelly sandwich. Then she pulled out a bag of bread, a jar of peanut butter, a jar of jelly, and a knife.
Most people had written things like “Take bread. Add peanut butter and jelly.” Some had gone as far as to add the knife. One kid had thought to open the bag. No one had thought to write the words “Open the peanut butter jar.”
When you’re writing a book, your plot and your characters are like two pieces of dry bread—essential to the sandwich—but you still need some icky, sticky, peanut butter descriptions to keep them together.
Sometimes you have to open the jar.